Fast Money. By Pablo Gorondi, The Associated Press Posted 821 AM CDT Friday, Oct. 21, 2016 Last Modified 906 PM CST Thursday, Nov. 10, 2016 Print Email Save to Read Later Leonard Cohen, "You Want It Darker" Columbia Records Read this article for free To continue reading, please subscribe with this special offer All-Access Digital Subscription $ for 150 days* Enjoy unlimited reading on Read the E-Edition, our digital replica newspaper Access News Break, our award-winning app Play interactive puzzles Continue *Pay $ for the first 22 weeks of your subscription. After 22 weeks, price increases to the regular rate of $ per month. GST will be added to each payment. Subscription can be cancelled after the first 22 weeks. Hey there, time traveller! This article was published 21/10/2016 2122 days ago, so information in it may no longer be current. Leonard Cohen, “You Want It Darker” Columbia Records Leonard Cohen’s late, late career resurgence reaches new heights on “You Want It Darker,” an elegant treatise with deep felt layers of wisdom and a sense of finality. Produced mostly by son Adam, Cohen’s third studio album in five years puts his most effective musical forms through a filter of restraint. Nothing distracts from the 82-year-old’s haunting lyrics, and his vocals remain both otherworldly and CD cover image released by Columbia Records shows "You Want It Darker," by Leonard Cohen. Columbia via AP A physical, naked bass line drives the title song, as Cohen’s woofer-rattling vocals are underpinned by a cantor and the Shaar Hashomayim Synagogue Choir, connections to his Montreal youth. Full of recriminations and frustrations while also ready to accept fate, it may be God who wants it darker, but it’s us who “kill the flame.” On “Treaty,” later reprised with a string quartet, Cohen may be putting to rest the relationship described on “Hallelujah,” with no room for illusions — “I’m so sorry for the ghost I made you be/ Only one of us was real, and that was me.” The Mediterranean stylings of “Traveling Light” are like the soundtrack to Cohen’s courtship of the legendary and recently deceased Marianne Ihlen on a Greek island in the 1960s. “Leaving the Table” is a country song glowing from the jukebox and Johnny Cash could have recorded “If I Didn’t Have Your Love” with Rick Rubin. If it’s too early to say goodbye, we can consider “You Want It Darker” as simply his new album, not the end of a trilogy. No matter which station of life he’s at, Cohen shines on, darkly. Print Email Save to Read Later If you are the dealer– Eğer bir satıcı isenizI’m out of the game– Oyun bittiIf you are the healer it means– Eğer şifacı iseniz anlamı I’m broken and lame– Kırık ve thine is the glory then– Zafer eğer senin eğer öyleyse Mine must be the shame– Benim utancım want it darker– Daha koyu olmasını kill the flame– Alevleri öldürüyoruzMagnified, sanctified– Büyütülmüş, kutsanmışBe the holy name– Kutsal isim olFeel the fire, crucified– Çarmıha gerilmiş ateşi hissetIn the human frame– İnsan çerçevesindeA million candles burning– Bir milyon mum yanıyorFor the help that never came– Hiç gelmeyen yardım içinYou want it darker– Daha koyu olmasını hineni– Hineni, hineniI’m ready, My Lord– Hazırım a lover in the story– Hikayede sevgilisi But the story’s still the same– Ama hikaye hala aynıThere’s a lullaby for suffering– Acı çekmek için bir ninni varAnd a paradox to blame– Ve suçlanacak bir paradoksBut it’s written in the scriptures– Ama kutsal yazılarda it’s not some idol claim– Ve bu bir idol iddiası değilYou want it darker– Daha koyu olmasını killed the flame– Alevleri lining up to prisoners– Mahkumlar için sıraya girmişsinAnd the guards are taking him– Gardiyanlar onu alıyor I struggle with some demons– Bazı iblislerle mücadele ediyorumThey were middle class and dean– Orta sınıf ve didn’t know I had permission– İznim olduğunu murder and to mend– Öldürmek ve onarmak içinYou want it darker– Daha koyu olmasını hineni– Hineni, hineniI’m ready, My Lord– Hazırım sanctified– Büyütülmüş, kutsanmışBe the holy name– Kutsal isim olFeel the fire, crucified– Çarmıha gerilmiş ateşi hissetIn the human frame– İnsan çerçevesindeA million candles burning– Bir milyon mum yanıyorFor the love that never came– Hiç gelmeyen aşk içinYou want it darker– Daha koyu olmasını killed the flame– Alevleri you are the dealer– Eğer bir satıcı isenizLet me out of the game– Oyundan çıkmama izin If you are the healer– Eğer bir şifacı isenizI’m broken and lame– Kırık ve thine is the glory– Eğer zafer senin iseMine must be the shame– Benim utancım want it darker– Daha koyu olmasını hineni– Hineni, hineniHineni, hineni– Hineni, hineniI’m ready, My Lord– Hazırım HineniHineni– HineniHineni– HineniHineni– Hineni You want it darker é o título da exposição de Fernando Sampaio Amaro que abre amanhã, dia 4 de Novembro, na Galeria Trem, na Vila-Adentro de Faro, onde poderá ser vista até 31 de Janeiro. Segundo o artista, trata-se do resultado de uma viagem de reconhecimento, no sentido polissémico do termo». A exposição You Want It Darker pede emprestado o seu nome ao décimo quarto álbum de estúdio de Leonard Cohen, lançado 17 dias antes da morte do cantor-compositor canadiano. A temática do álbum centra-se na morte, na escuridão, em Deus. Com humor à mistura», explica. Os presentes trabalhos aludem igualmente a essa escuridão, ao sofrimento, às perseguições e às injustiças, às dúvidas existenciais, ao absurdo. Resultado das releituras, durante a pandemia e prolongado confinamento, nomeadamente do regresso ao Livro do Desassossego de Bernardo Soares, de A Peste e de O Mito de Sísifo de Albert Camus, da revisitação de Beckett, Arrabal, Ionesco, Vian, Buñuel, de filósofos Nietzsche, evidentemente, os trabalhos procuram refletir sobre o mundo, esse cada vez mais estranho e desumano lugar». Para Camus, o absurdo da vida é um imperativo para a arte, pois segundo ele, “Se o mundo fosse claro, a arte não existiria.” O mundo não é claro. Antes escuro. Nietzsche afirma que “só a arte pode transfigurar a desordem do mundo em beleza e tornar aceitável tudo aquilo que há de problemático e terrível na vida”, acrescentando que “temos a arte para não morrer da verdade”», diz ainda Fernando Sampaio Amaro. A exposição, qual viagem que estava planeada ser uma coisa, acabou sendo outra fenómeno bastante frequente nas viagens, reconheçamos. As águas, que se queriam serenas, foram-se, entretanto, agitando por via das referidas releituras, revisitações e reflexões, fazendo com que o rumo previsto se fosse alterando, sugerindo paragens, derivações e desvios, à medida que o tempo passava. O desassossego foi-se instalando, trazendo consigo um mar de dúvidas e ambiguidades, de inquietações e sobressaltos. You want it darker é tudo isso», conclui. OverviewDisc IDs 1Cover Art 3AliasesTagsDetailsEditEdit RelationshipsTracklist▼CD 1TitleRatingLength1You Want It DarkerengineerHoward Bilerman, Bill Bottrell and Michael ChavesproducerAdam Cohen mixerMichael Chaves drums drum set [drums]Rob Humphreys Hammond organ [b3 organ]Neil Larsen and Patrick Leonard keyboard [keys]Michael Chaves keyboard bassPatrick Leonard choir vocalsCongregation Shaar Hashomayim Synagogue Choirsolo vocalsCantor Gideon Y. ZelermyervocalsLeonard CohenconductorRoï Azoulay choir vocals [choral] arrangerRoï Azoulay , Adam Cohen and Conor O’neil part ofGrammy Award Best Rock Performance nominees number 2018 winner and Stereogum The 200 Best Songs of the 2010s number 131recording ofYou Want It Darker lyricistLeonard Cohen in 2016composerPatrick Leonard in 2016publisherSony/ATV Songs Ammon and Michael ChavesproducerPatrick Leonard mixerMichael Chaves bassSean Hurley keyboard and pianoPatrick Leonard vocalsLeonard Cohenrecording ofTreaty lyricist and composerLeonard Cohen in 2016publisherSony/ATV Songs the LevelengineerFlorian Ammon, Bill Bottrell and Michael ChavesproducerAdam Cohen mixerMichael Chaves bass, organ and pianoPatrick Leonard drums drum set [drums]Brian MacLeod electric guitarBill Bottrellbackground vocalsDana GlovervocalsLeonard Cohenrecording ofOn the Level lyricistLeonard Cohen in 2016composerSharon Robinson in 2016publisherSony/ATV Songs LLC33284Leaving the TableengineerBill Bottrell, Michael Chaves and Zac RaeproducerAdam Cohen mixerMichael Chaves bassMichael Chaves celesta [celeste], guitar, keyboard [keys], mellotron and pianoZac Rae drums drum set [drums]Rob Humphreys electric guitar and pedal steel guitarBill Bottrell nylon acoustic guitar [nylon string guitar]Adam Cohen vocalsLeonard Cohenrecording ofLeaving the Table lyricist and composerLeonard Cohen in 2016publisherSony/ATV Songs LLC43475If I Didn’t Have Your LoveengineerFlorian Ammon, Bill Bottrell and Michael ChavesproducerPatrick Leonard mixerMichael Chaves drum machine [drum programming], keyboard bass [keys bass] and pianoPatrick Leonard electric guitarBill Bottrell Hammond organ [b3 organ]Neil Larsen and Patrick Leonard vocalsLeonard Cohenrecording ofIf I Didn’t Have Your Love lyricistLeonard Cohen in 2016composerPatrick Leonard in 2016publisherSony/ATV Songs LightengineerMichael Chaves, Bruce Gaitsch and Zac RaeproducerAdam Cohen mixerMichael Chaves bass [cello bass]Mai Bloomfield bouzoukiTom Hemby drum machine [drum programming]Michael Chaves and Patrick Leonard keyboardPatrick Leonard mandola [octaphone], mandolin [mandolins], mellotron [mellotrons], nylon acoustic guitar [nylon string guitar], tom-tom [floor tom] and Wurlitzer electric piano [Wurlitzer]Zac Rae violinDavid Davidson background vocalsAthena Andreadis vocalsLeonard Cohenrecording ofTraveling Light lyricistLeonard Cohen in 2016composerAdam Cohen in 2016 and Patrick Leonard in 2016publisherSony/ATV Songs Seemed the Better WayengineerHoward Bilerman, Michael Chaves and Bruce Gaitsch producerAdam Cohen mixerMichael Chaves bassMichael Chaves Hammond organ [b3 organ], keyboard [keys] and percussionPatrick Leonard violinDavid Davidson choir vocalsCongregation Shaar Hashomayim Synagogue Choirsolo vocalsCantor Gideon Y. ZelermyervocalsLeonard CohenconductorRoï Azoulay choir vocals [choral] arrangerRoï Azoulay , Adam Cohen , Conor O’neil and Jake Smith recording ofIt Seemed the Better Way lyricistLeonard Cohen in 2016composerPatrick Leonard Your WayengineerFlorian Ammon, Michael Chaves and Bruce Gaitsch producerAdam Cohen mixerMichael Chaves bassMichael Chaves drums drum set [drums]Rob Humphreys nylon acoustic guitar [nylon string guitar]Adam Cohen percussionPatrick Leonard steel-string acoustic guitarBruce Gaitsch violinDavid Davidson background vocalsDana Glover and Alison KraussvocalsLeonard Cohenrecording ofSteer Your Way lyricist and composerLeonard Cohen in 2016publisherSony/ATV Songs Reprise / TreatyengineerFlorian Ammon and Michael ChavesproducerPatrick Leonard mixerMichael Chaves celloYoshika Masuda violaMichelle Hassler violin [violin 1]Luanne Homzy violin [violin 2]Etienne Gara vocalsLeonard CohenconductorPatrick Leonard strings arrangerPatrick Leonard recording ofTreaty lyricist and composerLeonard Cohen in 2016publisherSony/ATV Songs LLC3327Credits You and me were always with each other Biz hep birbirimizleydik Before we knew the other was ever there Birimizin orada olduğunu bilmeden You and me, we belong together Sen ve ben, birbirimize aidiz Just like a breath needs the air Nefes almak için havaya ihtiyacı olunduğu gibi I told you if you called I would come runninSana söyledim eğer beni çağırırsan koşarak geleceğimi Across the highs, the lows and the in-betweens İnişlerin, çıkışların ve ortaların üzerinden You and me we've got two minds that think as one Sen ve ben iki zihne sahibiz bir olarak düşünebileceğimiz And our hearts march to the same beat Ve kalplerimiz aynı marşı atıyor They say everything it happens for a reason Onlar her şeyin bir sebeple olduğunu söylüyor You can be flawed enough, but perfect for a person Yeterince kusursuz olabilirsin, ama bir kişi için mükemmelsin Someone who will be there for you when you fall apart Sen parçalara ayrıldığında seninle olacak kişi için Guiding your direction when you're riding through the dark Senin yönüne yönelir sen geceye doğru sürerken Oh that's you and me Bu sen ve ben You and me we're searching for the same light Sen ve ben aynı ışığı arıyoruz Desperate for a cure to this disease Bu hastalığın tedavisi için umutsuzca Well some days are better than others Bazı günler diğer günlerden daha iyi But I fear no thing as long as you're with me Ama hiç korkmuyorum sen benimle olduğun sürece They say everything it happens for a reason Onlar her şeyin bir sebeple olduğunu söylüyor You can be flawed enough, but perfect for a person Yeterince kusursuz olabilirsin, ama bir kişi için mükemmelsin Someone who will be there for you when you fall apart Sen parçalara ayrıldığında seninle olacak kişi için Guiding your direction when you're riding through the dark Senin yönüne yönelir sen geceye doğru sürerken And they say everything it happens for a reason Ve enlar her şeyin bir sebeple olduğunu söylüyor You can be flawed enough, but perfect for a person Yeterince kusursuz olabilirsin, ama bir kişi için mükemmelsin Someone who will be there when you start to fall apart Sen parçalara ayrılmaya başladığında seninle olacak kişi için Guiding your direction when you're riding through the dark Senin yönüne yönelir sen geceye doğru sürerken Oh that's you and me Bu sen ve ben That's you and me Bu sen ve ben

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